Timothy Day was appointed principal flute of the San Francisco Symphony in 2006 and occupies the symphony’s Caroline H. Hume Chair. Previously, he served as principal flute with the Baltimore Symphony for 12 seasons.

Mr. Day has served as acting principal flute for the Minnesota Orchestra and the Boston Symphony. In addition to participating in festivals in Moab, Mohonk, and Montreal, he has been a featured soloist during San Diego’s Mainly Mozart Festival and has appeared many times as part of the San Francisco Symphony Chamber Music Series.

A graduate of Oberlin Conservatory, where he studied with Robert Willoughby. Mr. Day taught at the Peabody Conservatory for ten years, and since 1987, he has been on the faculty of the San Francisco Conservatory of Music. He also has served as a wind coach with the New World Symphony.

Mr. Day has been a member of the Music Academy faculty since 1992.

Richie Hawley ranks among the most distinguished clarinetists of his generation. As principal clarinet of the Cincinnati Symphony Orchestra (CSO), he impressed audiences around the world with his virtuosity and the velvety, sonorous tone that has become his trademark. The Cincinnati Enquirer has praised him for the “seamless flowing tone so many clarinetists long for and few can achieve.”

In 2011, Mr. Hawley left the Cincinnati Symphony Orchestra and moved to Houston, Texas to become the Professor of Clarinet at Rice University's Shepherd School of Music. Mr. Hawley appears on stages around the world regularly as a soloist, chamber musician and recitalist. During the summer he is in residence as the clarinet teaching and performing artists at the Music Academy of the West in Santa Barbara. Highlights of this year’s season include the premiere of Georgina Derbez’s Concerto for Clarinet and Orchestra with the UNAM orchestra of Mexico and the debut duo album with Conor Hanick featuring the music of Higdon, Copland, Tower and Jalbert. Mr. Hawley made his debut at the Marlboro Music Festival in 1999 and toured with the legendary “Musicians from Marlboro” for the 50th anniversary performance at Carnegie Hall.

Mr. Hawley has garnered awards as both performer and educator. He won the Coleman-Barstow prize at the Coleman Chamber Ensemble Competition in 1988 with Trio con Brio, and that same year was one of five musicians to receive the Gold Medal as a Presidential Scholar in the Arts from Ronald Reagan in a ceremony at the White House. He has received the Léni Fé Bland Foundation Career Grant twice, and was awarded the 2009 Glover Award for outstanding teaching at University of Cincinnati College Conservatory of Music.

Originally from Los Angeles, Mr. Hawley began his clarinet studies with Yehuda Gilad at the Colburn School of Performing Arts at age 9. He made his orchestral solo debut at age 13 with the Los Angeles Philharmonic, and at age 14 performed as a soloist with the New York Philharmonic. While a student of Donald Montanaro at the Curtis Institute of Music, Mr. Hawley appeared as a soloist with the Philadelphia Orchestra.

As a D’Addario performing artist, Mr. Hawley performs exclusively on a reeds and mouthpieces that he helped to develop. He is also an artist for Buffet Crampon and performs on the Tosca model of clarinet.

He has been a member of the Music Academy faculty since 2005.

Eugene Izotov is one of the leading wind players of his generation. His playing continues to receive wide acclaim for its "luminous beauty” (San Francisco Chronicle), “lyrical gold” (Chicago Tribune), and “fiery Russian temperament” (Boston Globe). Appointed by Michael Tilson Thomas in 2014, Eugene Izotov is the principal oboist of the San Francisco Symphony. He previously served as the principal oboist of the Chicago Symphony, appointed by Daniel Barenboim, principal oboist of the Metropolitan Opera, appointed by James Levine, and as guest principal oboist with the New York Philharmonic, Boston Symphony and Los Angeles Philharmonic. Izotov is the first Russian-born musician in history to hold a principal wind position in any major American symphony orchestra. His numerous awards include top prizes at solo competitions in Saint Petersburg (1991), Moscow (1990), New York (1995), and at the Fernand Gillet International Competition (2001).

Izotov has appeared over 70 times as soloist with orchestras such as the Chicago Symphony Orchestra, Boston Symphony, San Francisco Symphony, Pacific Music Festival Orchestra, and has collaborated with Bernard Haitink, Riccardo Muti, Valery Gergiev, James Levine, Nicholas McGegan, Edo De Waart, Ludovic Morlot, Ton Koopman, and Michael Tilson Thomas performing works by Mozart, Strauss, Marcello, Haydn, Martinu, Vivaldi, Carter, Hummel, Krommer and Bach. Eugene Izotov has recorded for Sony Classical, BMG, Boston Records, Elektra, SFSMedia, CSOResond, and was a featured soloist with the Chicago Symphony under the baton of John Williams on the Oscar-nominated recording for Steven Spielberg's film Lincoln. He has also recently been a guest soloist on NPR’s Live from Here with Chris Thile. A prolific chamber musician, Eugene Izotov has collaborated regularly with the MET Chamber Ensemble at Carnegie Hall, as well as with Yefim Bronfman, Pinchas Zukerman, Jamie Laredo, Yo Yo Ma, Emanuel Ax, André Watts, and the Tokyo String Quartet.

Eugene Izotov teaches at the San Francisco Conservatory of Music and at The Colburn School. He has also served on the faculties of The Juilliard School, DePaul University, and Pacific Music Festival. He regularly presents master classes at conservatories across the nation and abroad, such as Aspen, Oberlin, New World Symphony, Boston University, Juilliard, Manhattan School of Music, Vanderbilt, University of Michigan, Tanglewood, Verbier, Domaine Forget, and Interlochen. Eugene Izotov has served as an oboe mentor for the 2011 YouTube Symphony Orchestra during its residency at the Sydney Opera House in Sydney, Australia, which included a live internet simulcast to over 30 million of worldwide viewers. In 2019 Eugene Izotov was invited by Valery Gergiev to serve on the first-ever woodwind jury of the Tchaikovsky International Competition. Izotov’s former students are enjoying careers in symphony orchestras of Chicago, San Francisco, Saint Louis, Montreal, Kansas City, Buffalo, San Diego, Lexington, Ontario, Atlanta, Osaka, Fort Worth, Jerusalem, and others.

Born in Moscow, Russia, Izotov studied at the Gnesin School of Music with Ivan Pushechnikov, Sergey Velikanov, and Alexander Izotov (his father). After immigrating to the United States, he studied at Boston University with Ralph Gomberg.

Since entering the world of professional music in 1972 as the associate principal bassoonist of the Minnesota Orchestra, Benjamin Kamins has enjoyed a wide-ranging career as an orchestral musician, chamber player, solo performer, and educator. In 1981 he was appointed Principal Bassoon of the Houston Symphony, a position he held until 2003.  He is currently the Lynette S. Autrey Professor of Bassoon at Rice University’s Shepherd School of Music.  In addition, he has served as a guest principal with other major symphony orchestras in Pittsburgh, Los Angeles, Boston, and New York.

Mr. Kamins’ interests have also taken him into the world of historical performance where he performs on baroque bassoon.  He can be heard playing with many fine period instrument ensembles, especially Ars Lyrica Houston. In addition to his musical activities, Ben Kamins is a certified teacher of the Alexander Technique through Alexander Technique International.

An alumnus of the Music Academy ('68, '69), he has been an Academy faculty member since 1999.

Oboist Xiomara Mass was appointed to the position of Second Oboe of the St. Louis Symphony Orchestra in 2020 by Music Director Stéphane Denève. Born and raised in Puerto Rico, Ms. Mass began her musical training at the age of four and made her solo debut with the Puerto Rico Symphony Orchestra when she was 13. Two years later Ms. Mass was accepted into the “Conservatorio de Música de Puerto Rico” where she studied with David Bourns, former Principal Oboe of the Puerto Rico Symphony Orchestra, and Pedro Díaz, solo English Horn of the Metropolitan Opera. Ms. Mass has also worked with such renowned oboists as Elaine Douvas, Hansjörg Schellenberger, and Scott Hostetler.

Xiomara Mass has been invited to participate in many prestigious music festivals, including the John Mack Oboe Camp, “Tercer Festival de Dobles Cañas” in Panama, The Youth Orchestra of the Americas, Domaine Forget, St. Barth's Music Festival, The Sunflower Music Festival, ChamberFest Cleveland, and The New Hampshire Music Festival. Ms. Mass was selected to participate in the 2011 YouTube Symphony Orchestra during its residency at the Sydney Opera House in Sydney, Australia, which included a live Internet simulcast to over 30 million viewers worldwide.

In 2014, Xiomara Mass won The Jerome and Elaine Nerenberg Foundation Scholarship award at the Musicians Club of Women Competition in Chicago. Ms. Mass is also the first prizewinner of the Tuesday Musical State Scholarship Competition in Akron, Ohio, and the first Chamber Music Competition at the “Conservatorio de Música de Puerto Rico” as a member of her woodwind quintet. Most recently, Ms. Mass was a finalist and winner of the audience choice award in the inaugural Virtual Oboe Competition 2020, an entirely digital contest for oboe players formed in response to the COVID-19 pandemic. Ms. Mass was the only oboist representing the United States in the finals of this global competition.

Xiomara Mass is a former member of the Civic Orchestra of Chicago and was a featured soloist with the Civic Orchestra in J.S. Bach’s Concerto for Oboe and Violin. During her years in Chicago Ms. Mass was an active freelancer in the area and often performed with the Chicago Symphony Orchestra and Chicago Symphony Winds as a substitute oboist as well as with many orchestras in the area, among them Chicago Philharmonic Orchestra and Illinois Symphony Orchestra. Ms. Mass also played as a substitute with the San Francisco Symphony and has performed with them as assistant principal.

In addition to working as a performer, Ms. Mass taught as an adjunct professor at the DePaul University School of Music. Currently, she maintains a small private studio.

Xiomara Mass holds a bachelor's degree in Oboe Performance and an Artist Diploma from Oberlin Conservatory, where she graduated with highest honors under the tutelage of Alex Klein and Robert Walters. After relocating to Chicago, Ms. Mass studied privately with Music Academy faculty artist Eugene Izotov, principal oboe of the San Francisco Symphony.

Dennis Michel is the recently retired second bassoonist of the Chicago Symphony Orchestra and was an ensemble artist with the Chicago Chamber Musicians. He served as Artist Teacher of Bassoon at The Chicago College of Performing Arts at Roosevelt University. Prior to establishing his career in Chicago, he was principal bassoonist of the San Diego Symphony Orchestra for 16 years and was a founding member of the Arioso Wind Quintet. Mr. Michel has appeared at Tanglewood, the Grand Teton Festival, the Bard College Festival, San Luis Obispo Mozart Festival, and Summerfest La Jolla. Mr. Michel is a graduate of Yale University, as a student of Arthur Weisberg. As a Fulbright Scholar, he studied with Milan Turkovich at the Hochschule für Musik and performed with the Vienna State Opera. Mr. Michel has served on the faculties of Northwestern University, The University of Southern California, The University of California at San Diego, and San Diego State University, and has been a Music Academy teaching artist since 1988.

William Short was appointed Principal Bassoon of the Metropolitan Opera Orchestra in 2012 and has served on the faculties of The Juilliard School, Manhattan School of Music, and Temple University since 2016. He has performed and taught at the Lake Champlain, Lake Tahoe, Mostly Mozart, Stellenbosch, Strings, and Verbier Festivals. William received his Bachelor of Music from the Curtis Institute of Music, where he studied with Daniel Matsukawa and Bernard Garfield, and his Master of Music at Rice University’s Shepherd School of Music, where he studied with Benjamin Kamins. A Fox Artist, William plays on a Model 750, which he is proud to have helped develop.

Few flutists in history have made such indelible marks in so many musical circles. From jazz to pop to classical (orchestra, chamber, and solo) to television and film to the concert hall and his teaching studio, Jim Walker has enjoyed tremendous success.

In 1969 he was named associate principal flute in the Pittsburgh Symphony after a stint playing in the U.S. Military Academy Band at West Point. In 1977 he won the principal flute position in the Los Angeles Philharmonic. After seven successful seasons of performing, recording, and touring with the Los Angeles Philharmonic — during which time the New York Philharmonic briefly borrowed him as principal flute for its 1982 South American tour — he left the orchestra to focus on jazz, studio recording, and teaching.

In 1980 he organized his jazz quartet Free Flight, playing jazz-classical fusion (including four appearances on The Tonight Show and 16 recordings). In the 1990s he was a first-call studio flutist prized for his bold, expressive playing; he can be heard on hundreds of soundtracks. Along the way he collaborated with everyone from John Williams and Paul McCartney to Leonard Bernstein, James Galway, and the LA Guitar Quartet.

Mr. Walker is professor of flute, chamber music, and music technology at the Colburn Conservatory of Music, and professor of practice/coordinator of flute studies at the USC Thornton School of Music, where he was awarded with the Mellon Mentoring Award. His summer masterclass, "Beyond the Masterclass," is now in its seventh year