American Stage Director, Matthew Ozawa, has an international career spanning all artistic disciplines having worked for prestigious companies worldwide including Canadian Opera Company, Lyric Opera of Chicago, San Francisco Opera, Santa Fe Opera, Opera Siam, Macau International Festival, and Oregon Shakespeare Festival. His most recent acclaimed productions include: Frankenstein (West Edge Opera), A Little Night Music (Des Moines Metro Opera), Sweeney Todd (Skylight Music Theater), Celebrating Placido Domingo (Lyric Opera of Chicago), Le Nozze di Figaro (North Carolina Opera), Madama Butterfly (Arizona Opera), Don Quichotte (Lyric Opera of Chicago), Romeo and Juliet (Minnesota Opera), L’Opera Seria (American Premiere – Wolf Trap Opera), and After The Storm (World Premiere – Houston Grand Opera). Engagements this season include Three Queens for Lyric Opera of Chicago, Giulio Cesare for Boston Lyric Opera, and Pique Dame for Des Moines Metro Opera. Ozawa’s 2018-19 season included La boheme for Opera Colorado, a new production of Il barbiere di Siviglia, and the World Premiere of An American Soldier for Opera Theatre of Saint Louis.
Other recent directing credits include: Nabucco (Lyric Opera of Chicago), Hand Eye (Eighth Blackbird / Carnegie Hall), Arizona Lady (American Premiere – Arizona Opera), Second Nature (World Premiere – Lyric Unlimited – Lyric Opera of Chicago), Snow Dragon (Opera Siam), Tsuru (World Premiere – Houston Ballet / Asia Society), Porcelain (Prologue Theater Company), Snow Dragon (World Premiere- Skylight Music Theater), Les Mamelles de Tiresias / Le Pauvre Matelot (New Production – Wolf Trap Opera), Don Giovanni (Lyric Opera of Chicago – Ryan Opera Center), Canciones y arias (Lyric Unlimited), A Little Night Music (Houston Grand Opera), Il barbiere di Siviglia (Lyric Opera of Chicago – Ryan Opera Center), and the world premiere of The Memory Stone (Houston Grand Opera – HGOco). Additional directing and choreography credits include scenes for the Santa Fe Opera Apprentice Scenes, a site specific Act III of Crowded House: The Winter’s Tale for The State Theater, The Pride for Prologue Theater Company, the electro-theatre piece Radio Ghosts for New Leaf Theater, La boheme for Opera North, several student matinee performances and second casts for Lyric Opera of Chicago, Falstaff for Opera in the Heights in Houston, and A Son at the Front at the Athenaeum Theater in Chicago. Ozawa made his New York directorial debut, directing/ choreographing, writing, conceiving and producing Bound Shadow. In addition, he has directed numerous theater and opera productions for Oberlin College and Conservatory, including Tales from Ovid, Suddenly Last Summer, and The Crane Wife (world premiere opera) among others.
Mr. Ozawa has conceived and directed the world premieres of: A Dream Play (An interdisciplinary production in collaboration with Bow & Hammer: Sponsored by High Concept Laboratory), Y Portraits: Origins and Y Portraits: Awakening (An art gallery experience featuring over 50 international artists from all mediums; in collaboration with Chicago Harp Quartet & Ho Etsu Taiko Ensemble), and Fallen (A theatrical adaptation of Akutgawa’s In A Grove featuring collaborative composition by Koto musician Yumi Kurosawa and Electronic sound artist Mike Vernusky).
As an Associate and Assistant Director, Mr. Ozawa has worked for Canadian Opera Company, Lyric Opera of Chicago, San Francisco Opera, Santa Fe Opera, Oregon Shakespeare Festival, Opera Theatre of St Louis, Opera Colorado, Macau International Festival, Indianapolis Opera, and Off-Broadway. He has worked with world-renowned directors including Peter Sellars, Robert Carsen, Francesca Zambello, David Alden, Bob Falls, Rob Ashford, Gary Griffin, Francisco Negrin and James Robinson.
Besides working professionally in opera and theater, Mr. Ozawa is equally comfortable in the world of music and dance having studied with world-renowned composer/ director/ choreographer Meredith Monk as well as dancer Simone Forti.
A proponent of arts education, Mr. Ozawa is an Assistant Professor of Music at the University of Michigan, School of Music, Theatre & Dance. In addition, he has acted as Lecturer for the School of Music at DePaul University and Lecturer / Stage Director of Opera for the School of Music at North Park University. As an acting and movement coach, Mr. Ozawa has worked with young singers at the Santa Fe Opera, Ryan Opera Center (Lyric Opera of Chicago), DePaul University, Rider University and North Park University.
Mr. Ozawa has received numerous awards, honors and fellowships. In 2012 Mr. Ozawa was the Judges’ Winner of the 24hr Opera Competition for Atlanta Opera. In 2011, he studied with Anne Bogart during the SITI Summer Theater Training Program at Skidmore College. In 2010 he was a Charles MacKay Career Development Honoree at Opera Theatre of St Louis. He was awarded a directing fellowship with Oregon Shakespeare Festival in 2007, followed by a dramaturgy fellowship in 2008. Mr. Ozawa was also awarded the James S. McLaughlin Memorial Prize in Theater for his work at Oberlin (BA in Musicology and Music Theory), as well as being honored Phi Beta Kappa and Phi Kappa Lambda.