- Events & Giving
- About Us
- Programs
Summer Music Festival & School
- Perform in concerts, masterclasses, competitions & more
- Learn from the top teaching artists in the field
- Create a lifelong network of exceptional musicians
Sing!
- Tuition-free choral program for grades 1-10
- Foster a lifelong love for listening to and making music
- Admissions
2026 Summer Music Festival & School Admissions
Fellowship Institute
- Ages 18-34
- 6 Weeks
- Full-Scholarship
High School Intensive
- Ages 14-18
- 2 Weeks
- Tuition-Based
Teaching Artists
- Contact
Get In Touch
Stay Informed
Advertise with Us
Rent Our Spaces
Ticket Office
805-969-8787
ticketoffice@musicacademy.org
Return Ticket Hotline
805-565-5400Main Office
- Rentals

Lotfi Mansouri
Mr. Mansouri led, brilliantly, two of the most important opera companies in North America, and has directed productions throughout the world. But with one small act, with just one word, Lotfi Mansouri forever changed how audiences experienced the art form: supertitles.
Mr. Mansouri left Teheran, Iran, where he was born in 1929, to study medicine in Los Angeles, but music won out. From 1960 to 1966, he was resident stage director of the Zürich Opera. For the next decade, he served as head stage director at the Geneva Opera, while also directing productions in Europe and the United States. In 1976, Mansouri became general director of the Canadian Opera Company. He introduced Canadian audiences to many works, including Lulu and Death in Venice, and in 1983, revolutionized opera by ushering in supertitles at a performance of Elektra. He moved on to the San Francisco Opera in 1988, where he was general director until 2001. Under Mansouri's leadership, the SFO established the Pacific Visions program to commission new works and to perform little-known ones. The project led to some of the most compelling operas of our time, including Conrad Susa's The Dangerous Liaisons, André Previn's A Streetcar Named Desire, and Jake Heggie's Dead Man Walking.