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Collaborative Piano Fellowship

FELLOWSHIP INSTITUTE: Jun 27 - Aug 9, 2026

Get ready for a life-changing summer!

8 collaborative piano fellows explore the vast instrumental repertoire with world-class teaching artists and focus on collaborative artistry and technique – covering a wide range of literature from sonatas and orchestral reductions to show pieces

Our Summer Music Festival is a highlight of the Southern California arts community, presenting over 100 public events and attended by tens of thousands of audience members. The Music Academy proudly welcomes everyone from across all cultures and backgrounds to experience the transformative power of music.

Music Academy of the West is an All-Steinway Institution.

Thrive personally and professionally

Training & Performance Opportunities

Weekly Lessons & Coaching
Collaborative Piano Masterclasses & Studio Classes
Collaborate with instrumental fellows in lessons and performances
Sonata Recitals

Join an instrumental fellow for a deep dive and performance of a sonata of your choice.

Work and study with our teaching artists from all studios
Orchestral Keyboard Performances

Learn from the best

Collaborative Piano Teaching Artists

Be immersed doing what you love in one of the most beautiful cities in the world, surrounded by an enthusiastic and caring teaching artist roster committed to your success.

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Jonathan Feldman

director, collaborative piano

ABOUT
Festival Residency
8 Weeks

Recognized worldwide as a leading chamber musician and collaborative pianist, Jonathan Feldman has performed on four continents with some of the world’s greatest instrumentalists, including Nathan Milstein, Itzhak Perlman, Gil Shaham, James Galway, Sarah Chang, Joshua Bell, and Emmanuel Pahud. He also has performed with the New York Philharmonic Chamber Ensembles and the Chamber Music Society of Lincoln Center. He was a featured performer in a recent installment of Live from Lincoln Center with Gil Shaham. A graduate of The Juilliard School, he joined the Juilliard faculty in 1989 and chaired the school’s collaborative piano department for 25 years. A member of the collaborative piano faculty at New England Conservatory since 2011, he has given masterclasses throughout the United States and the Far East and has lectured at international festivals and competitions. Mr. Feldman was a guest artist at the Music Academy from 2001-02 and has been a teaching artist since 2003.

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Natasha Kislenko

collaborative piano

ABOUT
Alumni
2001
Festival Residency
6 Weeks

Natasha Kislenko has performed extensively as a soloist and a collaborative pianist across Europe, Middle East and the Americas. A highly sought after collaborator, Ms. Kislenko has enjoyed a varied performing career as an active chamber musician, an orchestral keyboardist with the Santa Barbara and San Diego Symphony, and recitalist with singers and instrumentalists. Her distinguished partners include Michelle Bradley, Leone Buyse, Tadeu Coelho, David Cohen, Marcus Groh, Frank Huang, Chavdar Parashkevov and Zvi Zeitlin.

Natasha gave a solo recital at Carnegie Hall's Weill Recital Hall and has appeared as a concerto soloist with Orquesta del Congreso Nacional (Paraguay), the Varna Chamber Orchestra (Bulgaria), the Eskisehir Municipal Symphony Orchestra (Turkey), New West Symphony, and the Santa Barbara Symphony.

Ms. Kislenko has been on the piano faculty of UC Santa Barbara since 2007. Previously, she served on the faculties of California State University Fresno and Meadowmount School of Music (New York). An alumna of the Music Academy of the West (2001), Ms. Kislenko has been a member of the faculty since 2004. Ms. Kislenko holds graduate degrees in piano from the Moscow Tchaikovsky Conservatory, Southern Methodist University (Dallas, TX) and Stony Brook University, NY, where she completed her doctorate with Gilbert Kalish.

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Margaret McDonald

collaborative piano

ABOUT
Alumni
2000, 2001, 2002
Festival Residency
6 Weeks

Pianist Margaret McDonald, a native of Minnesota, is an Associate Professor of Collaborative Piano at the University of Colorado Boulder.  She joined the College of Music keyboard faculty in the fall of 2004. She helped to develop the College’s graduate degree program in Collaborative Piano and the undergraduate collaborative curriculum. Praised for her poetic style and versatility, Dr. McDonald enjoys a very active performing career and has partnered many distinguished artists including the Takács Quartet, Kathleen Winkler, Zuill Bailey, Paula Robison, Carol Wincenc, Ben Kamins, David Shifrin, David Jolley, Ian Bousfield, Joseph Alessi, Steven Mead, and Velvet Brown.  She has performed throughout the United States, Canada, and Europe.

Dr. McDonald received her Bachelor of Music and Master of Music degrees in Piano Performance from the University of Minnesota and a Doctor of Musical Arts degree in Collaborative Piano from the University of California – Santa Barbara.  Her principal teachers include Lydia Artymiw and Anne Epperson.  She received fellowships to study at both the Music Academy of the West and the Tanglewood Music Center where she worked closely with Dawn Upshaw, Robert Spano, and Osvaldo Golijov.

Dr. McDonald is active throughout the country giving master classes at institutions including The Juilliard School, Indiana University, University of Texas at Austin, University of Minnesota – Twin Cities, Arizona State University, University of California - Santa Barbara, and Louisiana State University.  She has released recordings with Velvet Brown, tuba, Aaron Tindall, tuba, and Erika Eckert, viola for Potenza Records and Meridian Records.

Dr. McDonald has been a staff accompanist at the Meadowmount School for Strings in New York and an official accompanist at the Music Teachers National Association competition and the National Flute Association annual convention. McDonald is an alumna of the Music Academy of the West and has been a member of the Music Academy faculty since 2005.

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Testimonials & Good Vibes😊

Don't just take it from us, see why fellows love the Music Academy.

"My experience at the Festival was life changing. From performing one of my favorite roles and working on it with incredible artists, to making new lifelong friends and musical connections, to collaborating with fantastic pianists and chamber musicians, to singing for people in current hiring positions. It was all so enlightening and made me feel ready for my next professional engagement!"

"By far the best run festival I’ve ever been to. The only one where I haven’t been burnt out by the end. Of course the music was great, but having such supportive staff around was so appreciated. It genuinely felt like everyone on campus cared about what we were doing."

The relationships built between fellow and teaching artist are the core of the Music Academy experience. I have never been to another festival where this is as valued and it makes such a big difference.

"Simply put: Best. Summer. Ever."

"The program was extremely organized with scheduling and each concert cycle exceeded my expectations. The facilities and artists were amazing. Each performance, whether masterclass or concert, felt so passionate with my fellow musicians."

"The teaching artists are the best of the best in their crafts, and it helped me set a standard for the quality of work, discipline, and artistry I should set for myself and my collaborators."

"I had an excellent time. I met so many friends, had great musical opportunities, and thought the balance between work and play was perfect."

2026 Applications Now Open

Don’t miss this life-changing opportunity. Apply before the deadline of January 15!